Official event website: ONB Labs - ONB Labs Symposium 2024
On November 25th and 26th, 2024, a new edition of the ONB Labs Symposium will take place in the Oratorium of the Austrian National Library! Under the theme “Newspapers as Datasets”, the event will offer four panels over the span of two half-days on the diverse topics of collections as data and especially newspapers as datasets, artificial intelligence and its applications in libraries. The panels will include presentations by researchers in international projects, current work reports by researchers and presentations by staff at national libraries and AI labs.
Official event website: https://dhnb.eu/conferences/dhnb2025/
DHNB conferences focus on research, education and communication in the interdisciplinary field of digital humanities in the Nordic and Baltic regions and beyond. The conference has a history of bringing together academics, researchers, students, and professionals with an interest in applying digital methods to research relevant to humanities, social sciences and arts. DHNB invites contributions from all domains of digital humanities.
Important dates:
With the special theme of DHNB2025 ‘Digital Dreams and Practices’ we aim to delve into the synergy between dreams in digital humanities and their practical applications, seeking to maximize value for both academia and society at large. Our focus sharpens on the transformative potential of AI, its integration with traditional humanities, and its role in transcending academic boundaries. We invite scholars, practitioners, and societal stakeholders to explore:
(1) the integration of traditional humanities scholarship with computational techniques;
(2) the transition of digital humanities research from the ‘ivory tower’ of academic theory to societal practice;
(3) the practical applications of Artificial Intelligence.
Integrating traditional humanities and computation
DHNB has long been committed to the importance of both domain expertise and methodological precision in research excellence. Digital humanities begin with explorations of data with a humanities lens, but the strongest impact is achieved when solid computational methods are applied to questions important to established fields with long research traditions. We especially invite contributions that are theory-driven, question-focussed, and advance open cases of interest in the humanities and related fields.
Coming down the ‘Ivory Tower’
Digital humanities research is highly relevant to the modern world, extending from practical uses of data in the humanities to offering perspectives on societal issues. This requires deliberate efforts to step outside academic discourse and actively engage with non-academic entities, including state institutions, NGOs, and private companies. We especially invite contributions that emphasize and develop the societal relevance of digital humanities and actively cultivate collaborations between academic researchers and non-academic organizations. We are particularly interested in proposals that showcase these partnerships, highlighting the tangible outcomes and lessons learned from such collaborations. By emphasizing the practical applications and societal impact, we aim to showcase research whose value extends beyond academic circles.
Artificial Intelligence and the humanities
In recent years, Artificial Intelligence has become a household topic with the increased power of large language models, user-friendly accessibility in apps like ChatGPT, and profound societal impact, raising concerns about data privacy, fair use of data, and the future of jobs. AI has increasingly shown the capacity to assist in or even automate tasks that have previously relied on human creativity. This encompasses a wide spectrum, from the generation of visual art and the creation of research reports to conducting qualitative readings of text. We especially invite contributions that deal with aspects of AI in practice. We encourage papers that explore the interplay between digital humanities and emerging Artificial Intelligence, including introducing innovative use cases, discussing ethical frameworks, or examining societal implications.
Topics of interest for the theme of DHNB2025 include, but are not limited to, the following:
Integrating traditional humanities and computation
Coming down the ‘Ivory Tower’
Artificial Intelligence
Official event website: https://www.digitalhumanities.lv/bssdh/2024/
When: 22 July - 26 July 2024
Where: Riga, National Library of Latvia and Online
Language: English
Duration: 5 days
Credits: 3 ECTS
Fee: 40 EUR*
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Welcome to the annual Baltic Summer School of Digital Humanities (BSSDH 2024)!
This year's program presents essential introductory courses tailored for digital humanists and digital social scientists eager to master Python programming and explore the application of large language models in humanities research. Recognizing the pivotal role of lemmatization and dependency parsing in text analysis, particularly for small language datasets, we've dedicated a workshop to these techniques. The course is delivered by an international team of experienced researchers and practitioners from Latvia, Norway, and Estonia, representing the fields of digital humanities and digital social sciences. As always, this presents an invaluable opportunity to connect with peers and mentors from various countries, offering a rich exchange of ideas and perspectives.
The programem includes workshops and lectures in:
PARTICIPANTS
The Baltic Summer School of Digital Humanities is aimed at students and researchers of humanities and social sciences, library, and archives professionals. There are no prerequisites for participation, as the course does not require any background in DH computing. The working language of the summer school is English. After successful completion of the summer course, students will be awarded 3 ECTS by the University of Latvia.
REGISTRATION FEE*
40 EUR includes: Full access to all lectures and workshops, onsite or online. Food and drinks during lunch and coffee breaks for onsite students. Access is free of charge for assistants of workshops and other volunteers. Contact dh@lnb.lv to apply!
REGISTRATION FORM
https://reg.lnb.lv
SUPPORTERS
State Research programme
Nr. VPP-IZM-DH-2020/1-0002
Common Language Resources and Technology Infrastructure
https://www.clarin.eu/
https://clarin.lv/lv/
EU Recovery and Resilience Facility project Language Technology Initiative
No. 2.3.1.1.i.0/1/22/I/CFLA/002
ORGANIZERS
BSSDH 2024 is organized by a joint effort of the National Library of Latvia, Institute of Literature, Folklore and Art (University of Latvia), Faculty of Social Sciences of the University of Latvia.
CONTACT US
Coordinator Anda Baklāne
anda.baklane@lnb.lv
dh@lnb.lv
+371 29 143 299
Online registration: https://app.onlinesurveys.jisc.ac.uk/s/oxford/disrupting-digital-humanities-generative-ai-in-research-and-e-1
In-person registration: https://app.onlinesurveys.jisc.ac.uk/s/oxford/disrupting-digital-humanities-generative-ai-in-research-and-edu
The Alan Turing Institute special interest group in Humanities Data Science is hosting an event in Oxford, 'The Impact of Generative AI on the Digital Humanities: Disruption in Research and Education' on 21st June 2024. The event will be held in the Weston Library lecture theatre, with lunch in Blackwell Hall. It will also be streamed online.
The Turing Humanities and Data Science Event on 21 June 2024 brings together experts to explore both the positive and negative disruptive potential of generative AI in research, education, and creative industries. The event, organised by the Turing special interest group “Humanities and Data Science”, features talks and discussions addressing key topics such as the transformative impact of AI on research and education (Ioannis Votsis), experiential learning and training AI models (Chris Birchall), media tokenization and attribution in cultural and creative industries (Frances Liddell), innovations in email archiving and sensitive information handling using generative AI (Peter Chan), and the intersection of generative AI with EU policy and governance in creative arts (Daria Onitiu). Attendees can expect a deep dive into applications of generative AI, its challenges and implications for academia and beyond, highlighting the need for responsible and creative integration of these technologies.
Official event website: https://dhnb.eu/conferences/dhnb2024/cfp/
The DHNB aims to support research, education, and the dissemination of digital humanities in the Nordic and Baltic countries. For over seven years, the DHNB conferences have brought together academics, researchers, students, librarians, archivists, curators and museum professionals interested in creating and using digitised and born-digital collections as research data in the humanities, social sciences and arts. The DHNB has matured both as an organisation and as a community, something which is evident in the extensive compilation of outputs (https://dhnb.eu/publications/). Our annual gatherings have consistently served as a forum to showcase digital research, methodologies, technology, pedagogy and practice at the intersection that exists between academic disciplines and cultural heritage institutions. With its present level of maturity, the DHNB is now offering an opportunity to reflect on the development of these approaches and share insights that have been gained along the way.
One unique aspect of the DHNB community is the active involvement of professionals from libraries, archives, and museums alongside digital humanities researchers. In the DHNB 2024 call for papers, we would particularly like to place emphasis on sharing lessons learned from collaborative initiatives between academic and cultural heritage communities, something that is exemplified by the work of our conference host, the Icelandic Centre for Digital Humanities and Arts.
Topics of interest for the theme of DHNB2024 include, but are not limited to, the following:
CROSS-INSTITUTIONAL AND INTERDISCIPLINARY COLLABORATIONS
EDUCATION AND ADVOCACY
THE LIFE CYCLE OF DIGITAL HUMANITIES AND ARTS PROJECTS
The DHNB encompasses a wide range of disciplines, including the humanities, arts, the social sciences, and related fields. Professionals working in various sectors, such as cultural heritage, information and communications technology, and research software engineering, are encouraged to contribute and share their perspectives on working in an institutional setting within the digital humanities framework. The Program Committee welcomes and encourages submissions from early career researchers, new cultural heritage professionals and individuals who will be attending or presenting for the first time.
| 1 November 2023 | CfP opens |
| 21 January 2024 | CfP (abstracts and full papers) closes |
| 21 January – 15 February 2024 | CfP review period |
| 15 February 2024 | Notifications issued |
| 24 February 2024 | Deadline for submitting revised full papers and abstracts |
| 25 February 2024 | Registration opens |
| 26 April 2024 | Deadline for registering for the conference for all authors |
| 1 May 2024 | Early bird deadline |
| 15 May 2024 | Deadline for uploading posters |
| 15 May 2024 | Registration closes |
| 27-29 May 2024 | Pre-conference workshops |
| 29-31 May 2024 | Conference |
As an interdisciplinary conference between traditions, the conference welcomes both abstract as well as full-text submissions in the following three categories:
Long papers | 20-minute presentations with a 10-minute Q&A
Must be submitted as either:
Short papers | 10-minute presentations with a 5-minute Q&A
Posters and demos with accompanying a 1-minute lightning talk
Between the proposal categories, the following conceptual divisions apply: for long papers, the work is expected to be substantial and robust, while short papers can also report on preliminary or tentative results, or on work that is still in progress. Poster papers can either be small self-contained works, or also general project descriptions. The programme committee also reserves the right to accept submissions in a category different from the one submitted in, so e.g. a long paper can be accepted to be presented as a short paper or as a poster in the poster session.
All full-text submissions must be formatted according to the DHNB PUB template, as they will be published in a citable conference proceedings collection (https://journals.uio.no/dhnbpub/index). The abstracts, on the other hand, will be gathered into a book of abstracts. After the conference, a separate call for post-proceedings will be issued, with its own deadlines for submissions, reviews and revisions. Additional information and instructions can be found on the DHNB website: https://dhnb.eu/publications/.
Apart from the individual paper submissions, the conference also accepts proposals for:
60 to 90-minute panels
Half-day or full-day conference-themed workshops
Workshops can take many forms, from community hacking sessions to thematically focused mini-conferences attached to the main one, whose presentations are either pre-selected, or sourced through separate calls for proposals solicited by the workshop coordinators.
Half-day or full-day tutorials
All proposals should be submitted in English via the ConfTool conference management system. In addition to following the submission-specific requirements outlined above, proposals should clearly state how they contribute to the advancement of topics related to the conference themes, how they relate to previous work (if applicable), and the potential impact they may have on the advancement of the field. All proposals should be accompanied by three to five keywords.
Within the appropriate fields (author details and affiliations), submissions should include: name(s), contact details and the organisational affiliation of the author(s) along with the name(s) of presenters. At least one author of each accepted paper must register for the conference and present the paper. Participants can only be the first author (= presenter) of one paper at the conference and the second author/contributor of one additional paper (long paper, panel, or show-and-tell presentation).
Anyone interested in submitting a proposal for the ad-hoc program, such as drop-in talks, lean coffee, or show-and-tell, can contact us at DHNB2024@hi.is.
Submitted proposals will undergo a single-blind peer-review process whereby the reviewers know the names/affiliations of the abstract authors and co-authors. Authors may be asked to make revisions before publication. The program committee will review all submissions and send out notifications of acceptance/rejection by 15 February.
Authors will be asked to review their submissions before the publication.
For questions, please send an email to DHNB2024@hi.is
Official event website: https://meta.wikimedia.org/wiki/AI_Sauna
AvoinGLAM invites Open Culture advocates and creators of the open ecosystem to join the Finnish GLAMs (Galleries, Libraries, Archives and Museums), research projects and companies to envision the future of Open Culture in the age of AI. The event takes place in Helsinki 6–7 May right after the Wikimedia hackathon in Tallinn 3–5 May. The two-day event will hear inspire talks from participants, explore common themes and work on them in workshops on the second day.
Official event website: http://www.digitalhumanities.lv/baltic-dh-forum-2024
Digital humanities have become a solid part of the research landscapes in the Baltic countries. Certainly, over the past decades, this transformation has been evident through the vibrant and enthusiastic DH communities, the emergence of new research groups and centers, and the increasing presence of digital humanities courses and programs in higher education. This marks the right time for the digital humanities communities of the three Baltic States to come together, to look at how and in what directions DH has developed in our countries, to reflect on what is relevant today and to project what lies ahead in the near future.
The Baltic DH Forum will take place for two days. The initial day will comprise three sessions featuring invited speakers from the Baltic DH research communities, Ministries, and prominent European digital humanities infrastructures, including CLARIN ERIC and DARIAH-EU. The second day is designed as a networking platform providing an opportunity to present DH projects, showcase developed digital resources and tools, and introduce educational initiatives. Additionally, the afternoon of the second day will host a series of workshops covering successful practices in collaborative projects, fundraising opportunities, and other relevant topics.
Participation in the forum with presentation is free of charge with coffee breaks, lunches, and a dinner provided.
To apply for participation in the Baltic DH Forum “Demonstration and Networking Session” (2nd Day), you are invited to submit an abstract of your presentation (200–250 words) in one of the following categories:
Submissions are encouraged in diverse areas within digital humanities, including, but not limited to:
Submit your proposals here by January 25, 2024.
Applications will be peer-reviewed by the programme committee, with the main criterion being relevance to the field of digital humanities.
During the “Demonstration and Networking Session” each presenter is expected to give a brief pitch talk (approximately 5–7 minutes) to the plenary audience, followed by discussions at the poster hall.
After the Baltic DH Forum, participants will be offered an opportunity to prepare a peer-reviewed publication for a special issue of The Baltic Journal of Modern Computing, Scopus-indexed.
If you have any questions, feel free to contact us at dh@lulfmi.lv or sanita.reinsone@lulfmi.lv.
Programme committee:
LV: Sanita Reinsone (ILFA*), Haralds Matulis (ILFA), Inguna Skadiņa (IMCS), Anda Baklāne (NLL), Ilze Auziņa (IMCS), Normunds Grūzītis (IMCS), Antra Kļavinska (RTA), Jānis Daugavietis (ILFA), Valts Ernštreits (UL LI)
LT: Andrius Utka (VDU), Costis Dallas (VU)
EE: Joshua Wilbur (UT)
Administrative support:
Viktorija Piščikova (NLL), Līva Ostupe (ILFA), Māris Bušs (UL DF), Māra Bičevska (UL DF), Elvīra Žvarte (ILFA), Ilze Ļaksa-Timinska (ILFA)
Institutions*
ILFA: Institute of Literature, Folklore and Art of the University of Latvia
IMCS: Institute of Mathematics and Computer Science of the University of Latvia
NLL: National Library of Latvia
RTA: Rēzekne Technology Academy
UL DF: University of Latvia Faculty of Computing
UL LI: University of Latvia Livonian Institute
UT: University of Tartu
VDU: Vytautas Magnus University
VU: Vilnius University
Supporters
Official event website: https://www.helsinki.fi/en/digital-humanities/teaching/digital-humanities-research-seminar
Thursdays at 16:15-18:00 (time in Finland = EEST/EET time zone)
Place: Metsätalo, Lecture Hall 17 and Zoom (unless otherwise noted)
If you want to participate in-person, come to Metsätalo, Lecture Room 17 unless otherwise noted. You can also take part on Zoom (unless otherwise noted).
Meeting ID: 671 1257 5191
Passcode: 123123.
Updates and possible changes will be noted in due course. The seminar is open. If you want to join our mailing list, need credits, or have any questions about the seminar, write to Mikko Tolonen.
And, as always, all welcome!
Official event website: https://cudan.tlu.ee/conference/
We invite submissions for the Cultural Data Analytics Conference 2023 / CUDAN 2023, organized by the ERA Chair project for Cultural Data Analytics at Tallinn University, generously funded by the European Commission. Inspired by initial large gatherings of the cultural analytics community, including UCLA/IPAM 2016, and multidisciplinary conferences such as NetSci, IC2S2, or CCS, we aim to bring together researchers, practitioners, and stakeholders using methods of cultural data analytics to understand cultures and cultural production. This particularly includes multidisciplinary combinations of quantification, qualitative inquiry, computational analysis, and visualization to make sense of large cultural datasets, including visual, audiovisual, linguistic, and other genres of socio-cultural materials. The conference is scheduled to happen in Tallinn, Estonia from December 13 to 16, 2023, including a number of leading invited practitioners, peer-reviewed talks, and poster contributions from the community.
Abstracts due: July 24, 2023 (23:59 CET)
Notification of acceptance: September 14, 2023
Conference: December 13-16, 2023
Pre-conference workshops: December 13, 2023
Main conference: December 14-16, 2023
Winter morning in Tallinn. CC-BY Maximilian Schich
– Petter Holme, Aalto University, Helsinki, Finland (https://petterhol.me/)
– Béatrice Joyeux-Prunel, Université de Genève, Switzerland (https://www.unige.ch/…)
– Mauro Martino, Visual Artificial Intelligence Lab, IBM Research, Boston, USA (https://www.mamartino.com/)
– Anu Masso, TalTech, Tallinn, Estonia (https://taltech.ee/…)
We invite authors to submit a single-page abstract pdf including a (mandatory) descriptive figure and caption by the 24th of July 2023 via our OpenReview submission system. We accept contributed talks, lightning talks, and posters (please indicate your preference). We strive for an in-person event to maximize community interaction, yet we will offer a limited amount of remote presentation slots. Review is single-blind.
In the spirit of multidisciplinary abstract conferences and idea conferences, we encourage submissions which aim to present entirely novel work, and also recently published contributions which would benefit from broader multidisciplinary discussion. In the latter case, please make sure to cite the original publication venue.
SUBMIT HERE: https://openreview.net/group?id=CUDAN.tlu.ee/2023/Conference
Cultures and cultural production are multifaceted phenomena, which, like other complex systems, cannot be fully understood from the perspective of a single specific discipline. This is why the core mission of cultural data analytics is to join forces and make headway across disciplines and domains of expertise. Feeding into this mission, we welcome both multidisciplinary submissions, and contributions from specific disciplines, which aim to benefit from discussion in a multidisciplinary forum.
We encourage discussion towards a deeper understanding of cultures and cultural production including aspects, methods, and intersections of the following fields:
– cultural analytics, culturomics, and socio-cultural data science;
– digital humanities and computational humanities;
– cultural evolution, including experimental and observational approaches;
– cultural complexity science, network science, computational social science, and social physics;
– computational linguistics, quantitative aesthetics, critical computer vision, and machine learning;
– art history, cultural history, cultural semiotics, film studies, musicology, and urbanism;
– artistic research, algorithmic curation, and AI art (including aspects of cultural data analysis);
– creative industries research, media economics, and policy studies;
– data journalism, data science, and information visualization.
Contributions ideally address at least one of the following subject domains (in line with state-of-the-art conceptual reference models for cultural data):
– material aspects, including artworks, architecture, texts, images, sound, film, digital media, databases, and other forms of tangible cultural heritage;
– conceptual aspects, including cultural practices, rituals, theories, policies, data models, narratives, imagined communities, and other forms of intangible cultural heritage;
– social aspects, including human behaviour, human mobility, social networks, and social media;
– temporal aspects, from slow historical processes to turbulence in today’s economy of attention;
– spatial aspects of historical topography, cultural geography, and urban dynamics;
– event aspects, which combine the above aspects in cultural co-production, event series, tourism, etc.;
– network aspects of socio-cultural interaction, including the inherent ecology of complex networks as documented in the structure and dynamics of large cultural knowledge graphs or blockchains associated with the crypto-art-market, for example.
The CUDAN 2023 main conference programme (December 14-16, 2023) will include six keynotes covering the spectrum of relevant disciplines, a lightning talk session in the plenary, parallel sessions, and a poster section. The latter will run throughout the whole conference in the coffee and lunch area that is collocated with the plenum. The conference will close with a best poster and best paper award ceremony.
The pre-conference day (December 13, 2023) will feature introductory workshops by CUDAN senior fellows, covering aspects of cultural data analysis and visualization using Python, R, Tableau, and the Collection Space Navigator.
Before and after the main conference, we will offer sightseeing tours, including the medieval Tallinn old town and Christmas market (among many reasons to visit Estonia).
We are further planning a meet the publisher’s session and other opportunities for relevant stakeholders, including exhibition booths.
If you or your institution/company is interested in participation, please contact us via email to cudan@tlu.ee, ideally before September 14, 2023.
As we are fully funded through the European Commission, there will be no conference fee for accepted participants, with the exception of the conference dinner. Accepted participants are required to register and confirm their attendance. Information regarding accommodation (including reduced rate hotels) and a form to order VISA support letters will be announced on the conference website (https://cudan.tlu.ee/conference/).
Maximilian Schich, CUDAN ERA Chair holder
Lev Manovich, Cultural Analytics Lab, City University of New York, US
Andres Karjus, CUDAN Senior Fellow (computational linguistics)
Ksenia Mukhina, CUDAN Senior Fellow (computer science)
Mila Oiva, CUDAN Senior Fellow (cultural history)
Mikhail Tamm, CUDAN Senior Fellow (social physics)
Sandra Kaljumäe, CUDAN Project coordinator
Sirli Peda, Tallinn University Conference Center
Sirli Taniloo, Tallinn University Conference Center
James Abello Monedero, Rutgers University, US
Yong-Yeol Ahn, Indiana University, Bloomington, US
Ruth Ahnert, Queen Mary University of London, UK
Sebastian Ahnert, University of Cambridge, UK
Kim Albrecht, Artist, Berlin, DE
Eduardo Altmann, The University of Sydney, AU
Sandra Alvaro, Universitat Autònoma de Barcelona, ES
Stefano Balietti, Universität Mannheim, DE
Clarisse Bardiot, Université Rennes 2, FR
Maria Christina Binz-Scharf, CUNY City College of NY, US
Chico Q Camargo, University of Exeter, UK
Nicola Carboni, Université de Genève, CH
Damiano Cerrone, Tampere University, FI
Javier Cha, University of Hong Kong, HK
CJ Chen, Nanjing University, CN
Ana Clemente, University of Barcelona, ES
Bronwyn Coate, RMIT University, AU
Michele Coscia, IT-University of Copenhagen, DK
Brian Coxall, Brigham Young University, US
David J. Crandall, Indiana University, US
Christine Cuskley, Newcastle University, UK
Maria-Rita D’Orsogna, University of California, Los Angeles, US
Kate Elswit, University of London, UK
Sara Irina Fabrikant, University of Zurich, CH
Elena Fedorovskaya, Rochester Institute of Technology, US
Jianbo Gao, Beijing Normal University, CN
David Garcia, Universität Konstanz, DE
Bruno Goncalves, Data For Science, Inc., US
Jack Grieve, University of Birmingham, UK
Daria Gritsenko, University of Helsinki, FI
Thilo Gross, HIFMB & Universität Oldenburg, DE
Ryan Heuser, Princeton University, US
Yurij Holovatch, National Academy of Sciences of Ukraine, UA
Natalie M Houston, University of Massachusetts at Lowell, US
Ana Jofre, SUNY Polytechnic Institute, US
Mauri Kaipainen, Perspicamus, Helsinki, FI
Folgert Karsdorp, Meertens Institute, NL
Lindsay King, Stanford University, US
Harald Klinke, LMU Munich, DE
Ilias Kyriazis, Fachhochschule Potsdam, DE
John Laudun, University of Louisiana at Lafeyette, US
Kristoffer Laigaard Nielbo, Aarhus Universitet, DK
Lik-Hang Lee, Hong Kong Polytechnic University, HK
Liina Lindström, University of Tartu, EE
Jordi McKenzie, Macquarie University, AU
Stefania Milan, University of Amsterdam, NL David Mimno, Cornell University, Ithaca/NY, US
Daria Morozova, Ecole des Hautes Etudes Commerciales, FR
Cassini Nazir, University of North Texas, US
Maarja Ojamaa, University of Tartu, EE
Giovanni Petri, Northeastern University London, UK
Iyad Rahwan, Max Planck Institute for Human Development, DE
Martin Rosvall, Umeå University, SE
Louis Michael Shekhtman, Northeastern University, Boston, US
André Skupin, San Diego State University, US
Oleg Sobchuk, Max Planck Institute for Evolutionary Anthropology, DE
Juan Luis Suárez, University of Western Ontario, CA
Pablo Suarez-Serrato, Universidad Nacional Autónoma de México, MX
Nina Tahmasebi, Språkbanken (The swedish language bank), SE
Timothy R Tangherlini, University of California, Berkeley, US
Mark Taylor, University of Sheffield, UK
Jer Thorp, New York University, US
Lauren Tilton, University of Richmond, US
Mikko Tolonen, University of Helsinki, FI
Stephen Miles Uzzo, National Museum of Mathematics, US
Melvin Wevers, University of Amsterdam, NL
Hyejin Youn, Northwestern University, Evanston, US
For updated information, please re-check the conference website (https://cudan.tlu.ee/conference/).
In case of questions, please do not hesitate to contact us via email to cudan@tlu.ee.
We’d love to welcome you in Tallinn, Estonia in December 2023!
Official event website: https://2023.computational-humanities-research.org/
The Computational Humanities Research (CHR) community is an international and interdisciplinary community that supports researchers with an interest in computational approaches to the humanities.
The 2023 edition of the Computational Humanities Research conference will take place on December 6-8, 2023 in Paris at the École pour l’informatique et les techniques avancées. Expect more details about CHR2023 soon!
Visit our forum for the latest updates and more information about the conference.
We are very honoured and pleased that Richard McElreath, Olivier Morin, and Roberta Sinatra have agreed to give keynote lectures at CHR2023.
National Library of Estonia
Narva Road 11, 15015 Tallinn
+372 630 7100
info@rara.ee
rara.ee/en
